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A student interested in obtaining a doctorate in clinical psychology can choose between two types of doctorates: the traditional PhD (or Doctor of Philosophy) or the newer PsyD (Doctor of Psychology). Historically, the PhD was awarded to graduate students training in psychology at the doctoral level. The most common model of training was and still is the scientist-practitioner model (Raimy, 1950), which encourages equal and integrated training emphases on both research and clinical practice. The model seeks to train graduate students in becoming both competent practitioners of clinical psychology providing skilled psychotherapy, psychological assessment, and consultation services as well as competent researchers being able to conduct rigorous scientific studies. Most universities with graduate training programs in clinical psychology award the PhD degree. Several universities such as the University of Denver and Rutgers University offer separate programs for PhD students and PsyD students. The PsyD degree was proposed as a viable alternative to the traditional PhD. Rather than a scientist-practitioner model that equally blends research and clinical practice into training graduate students, the new PsyD model sought to train students in the scholarpractitioner model with much more emphasis on clinical practice and minimal emphasis on research skills. Thus, the goal of the PsyD training model is to spend most of the graduate training years preparing students to become practitioners of clinical psychology services (e.g., psychotherapy, psychological assessment, clinical consultation) with minimal focus on training professionals to become researchers. While research is generally valued in PsyD programs, the training model assumes that graduates will become practitioners and consumers of research rather than actually conduct research studies during their careers. The

Creating ActionScript is tedious work If you re like most designers, you d rather spend your time creating artwork for your Flash designs than writing code If you end up creating a dazzling effect that involves several lines of code, you ll be further ahead if you create the effect in a movie clip instead of on the root timeline Creating the effect in a movie clip does two things for you: First, you can use the effect in another part of your movie by just creating an instance of the movie clip on the timeline Second, you can use the effect in another production by choosing File Open as Library and then dragging the movie clip with the effect you need into the current document Library.

If there are images or other graphic symbols in the effect that aren t suited to the document you re creating, you can import or create the objects you need and then swap them as outlined previously in this chapter Several of the projects in this book may be useful in your own design work; for example, the moving navigation bar you ll create in 12 By creating this in a movie clip, you can use it in any other document; all you need to do is change the color of the buttons and the text description You can even create your own custom library of effects After you ve created several ActionScript effects that you ve embedded in movie clips, do the following: 1 Create a new document 2.

You can change the Path Selection tool into the Direct Selection tool on the fly by holding down the Ctrl/ key. This saves you a bit of time if you need to toggle back and forth. n

Choose File Open as Library, locate the file one of your favorite effect movie clips is stored in, and drag the effect into the document library 3 Repeat Step 2 for the other effects you want to store as a custom library 4 Choose File Save As Name the folder as you want it to appear in the Common Libraries menu, navigate to the Libraries folder in the Flash MX directory, and then save the file The next time you launch Flash, choose Window Common Libraries, and your special effects library appears on the Common Libraries menu Click your library to open it and drag the movie clip on Stage or into the current document Library..

eral outlines you can stick with. Rick Mears, the champion auto racer and four-time winner of the Indianapolis 500, put it well. To nish rst, Mears said, you must rst nish.

To create a keyframe, do one of the following: